Melissa Ann Pinney
Female identity is the subject of my life’s work. Not exclusively of course—I’ve photographed many different things in my career—but no matter the subject, I’ve always made work with a feminist eye. To me that means acknowledging the subjects that we don't value or honor, or that are considered taboo in patriarchal culture. Pregnancy in the workplace has been one of those subjects. That’s precisely why it is important to take a close look at it.
So when I set out to photograph Eva for Showing, a social worker working at Northwestern—I photographed her on her way to work, both standing on the ‘L’ platform, and on the train itself—the assignment felt like a continuation of my own work.
Melissa is an American photographer based in Evanston, IL.
Eva, Social Worker, on the Purple Line, from Showing: Pregnancy in the Workplace, 2012
Flower Girl with Her Mother and Grandmother, 1991
Disney World, 1999
I’ve had three books published, two about American women and girls. The first, Regarding Emma: Photographs of American Women and Girls, was published in 2003. Girl Ascending followed in 2010. Right now, I’m working on the final volume in the trilogy, Rise Up. Rise Up is an homage to the fierceness in girls, who, with all their imagination and joy, rise through the perils and everyday sexism of patriarchal culture. I’m interested in picturing the subtle oppression that permeates the lives of girls, and celebrating the ways girls transcend that oppression to gain agency and advocate for themselves.
The Real, Live Barbie at Target, 1998
Portia Tree, 2002
Kiara and Emma, Painted to Look Like Sisters, 2001
Team, Evanston, 2006
Girl Ascending, 2004
Teen Couple, Ballroom Dance, 2008
Lake Michigan, 2009
Annie, 2009
Girl in the Blue Dress, 2006
Birthday Party, 2004
Mingus and Maria, 2013
Mother and Daughter—Maui, 2011
Sweet Sixteen, 2013
Girls, 2019
Friends, 2019
Girl Talk, 2018
Julie, 2017
Ritz Pool, 2001
Stephanie, 2019